Photo Frame Blue mounted on easel like tripod of striped tubings, in 925/1000 sterling silver gold plated with translucent fire enamel on guillochè.
Photo Frame Blue Russian Empire style ornaments late 19th, early 20th century. Oval photo cm. 5.5 x 7. Outer dimensions cm. 12 x 25. Weight gr. 520.
Photo Frame Blue was designed by Giorgio Salimbeni on the inspiration of an original Fabergé model and produced in the Salimbeni factory by hand by skilled craftsmen with a thick plate and large reinforcements suitable for sustaining numerous glaze firings at great heat at about 800° C. 1865-6729 Salimbeni Enchanting Frames. Our life is unique, our memories are precious but also a little naughty. A familiar image loaded with love and happiness can turn into feelings of sadness and nostalgia. This is why we worked with colors and techniques in order to obtain a container of memories that was suitable for keeping only positive feelings alive and that were at the same time Precious as Precious are our memories. Memories must not lose their contours. Memories are important and we do not know it well, ours is an ancient and long-lived family and we want to be happy to remember it. Our childhood moments our loved ones our loves our past that allows us to be who we are today and so we created the enchanting frames elegant unique pieces Bridges over the rivers of memory. About Guilloché. Guilloché is a craftsmanship performed on mostly precious metals, which allows to obtain surfaces engraved with complex and repeated geometric patterns. Guilloché engraving was invented in the mid-1800s in Switzerland by watch manufacturers to embellish the dials of their luxurious artifacts. The technique consists in engraving the metal with a burin using a machine with mostly manual controls. (see photos in the gallery) A copier following the sinuosity of some matrices placed on the machine transmits a movement to the object subjected to engraving, thus obtaining that the burin “cuts” the metal. By moving the positions of the matrices and the copier, precise intertwined engravings of an almost infinite geometric type are obtained and their continuous differentiation certainly adds value to the objects that are produced. The dexterity required to carry out this operation is highly specialized, the existing machines are very old, as there has never been a mass market and above all for the conservation of art. After the engraving, we generally proceed with fire enamelling, a meticulous and very long process during which the guilloché engraved surface is covered with various layers of colored glass powder and cooked in small special ovens at a temperature between 700 and 800 ° C. The result of transparency and perfection can also require numerous firings, at least 10 for a single color, for surfaces with multiple colors, it can even reach 50 firings. One color is applied at a time and then baked, the glazes used have a different blend so that when the next color is placed the previous one does not move. The inclination of the surfaces of an object can create great difficulties both for the guilloche engraving and in the enamel firing phase as the positioning of the machine becomes more complex and a great skill and competence is required while the liquefaction of the enamel produces situations complexes that only the highest level of craftsmanship can achieve. In Salimbeni production, guilloché engraving and enamelling have been the main processes for more than a century and are found in almost all products. In the construction of an object Salimbeni starts from a drawing, which can also be provided by the customer, to build the structure by hand with silver plates of different thicknesses. Once the necessary shape has been obtained with welding and finishing, processes common to the talented silversmiths, we proceed with the guilloché engraving and subsequent enamelling, as well as all the final polishing and galvanic finishing, for gilding and / or other. Our most complex and most precious productions also required months of work for small objects, seeking a perfection that is generally not contemplated in craftsmanship but which for us is the basis of our daily life.